| Daily OCD: 11/12/09 |
[Nov. 12th, 2009|11:58 pm] |
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http://www.fantagraphics.com/index.php?option=com_myblog&show=Daily-OCD-11-12-09.html&Itemid=113 A light load of Online Commentary & Diversions today: • Plug: "Okay, I see a lot of books and comics passing my desk every week but ye gods this stood out – pre comic code Steve Ditko. Let me just say that again: STEVE DITKO!! ...Fantagraphics’ Strange Suspense: the Steve Ditko Archives [Vol. 1] goes on sale today, collecting material from the first couple of years of the now legendary comics god’s career; fabulous sci-fi, fatal femmes, lurid horror… And its a lovely looking hardback edition, the sort you give pride of place on your shelves (which is what we normally expect from the folks at Fanta, they know how to give class comics work plenty of love and present it well)." – The Forbidden Planet Interational Blog Log • Interview: Paul Morton of The New Gay talks with Paul Karasik about chronicling the life and work of Fletcher Hanks: "I didn’t really choose to do this story. This story chose me. And it continues to choose me. So as much as I’d like to shake it, I’m sure something’s going to happen that’s going to pull me back down to it." • Events: Don't forget, Dame Darcy is in Seattle this weekend — info and much more in her latest blog update • Things to see: Steven Weissman pays homage to Johnny Ryan in his latest "I, Anonymous" illustration • Awesome: Gahan Wilson, still changing lives (via Tom Spurgeon) |
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| LiveJournal Major Notes: Notes, Tweaks, Bug Kills, LJ_Cares! |
[Nov. 12th, 2009|01:53 pm] |
Notes augmented
We've enhanced and de-bugged Notes. If you haven't tried it yet, now's the time! You can create a private note when you ban multiple users. You can also delete multiple notes at once. Lastly, paid users have the option to add a note (visible only to you) whenever you add or remove a friend (guaranteed to avoid embarrassing social mishaps). If you don't currently have a paid account, you can upgrade now! It only takes a few minutes and costs less than a bad shopping mall haircut (plus, it's way more fashionable)!
Product tweaks and bug kill
- In another effort to zap spam, comments containing links from domains LiveJournal deems untrustworthy are now automatically screened
- If you sign up to get notifications of the Writer's Block question of the day, you'll now see the daily question in the email notification, so you'll have a little extra time to ponder before you post. You can subscribe to Writers Block notifications here
- The issue causing random comments to vanish has been fixed!
- If you visit a LiveJournal page and get prompted to log in, you'll be returned to the same page after you sign in (Thanks, Dreamwidth)!
- If you don't edit the timestamp for an entry at all, the entry timestamp will indicate the time the entry was posted instead of the time the Update Journal page was loaded
- Comments with paddings/backgrounds render correctly within the comment box (and will no longer wrap outside the box and break frames/margins)
New FCK fixes rich text editor!
- We've updated our RTE (Rich Text Editor) to FCKeditor version 2.6.5
- When switching from the RTE to HTML editor, links for syndicated feeds are no longer broken
- RTE now functions properly in Safari 4.0
- An extra line/space will not be auto-inserted whenever you switch from RTE to HTML editor
- The insert image link now works correctly in all browsers
LiveJournal Cares
We’re pleased to introduce you to ![[info]](http://l-stat.livejournal.com/img/community.gif) lj_cares, a new LiveJournal community dedicated to raising awareness and funds for U.S. charitable organizations that improve the health and well-being of people around the world. Each month, we’ll spotlight a nonprofit that is making a significant global impact through medical research, public outreach, and/or humanitarian social programs. Charities will be selected in accordance with the U.S. calendar of national health observances based on a high rating (of over 60%) on Charity Navigator and global scope of impact.
In this, our inaugural month of November, we will celebrate national adoption month by offering a charitable virtual gift (priced at $2.99) to support Love Without Boundaries, an organization that saves the lives of orphans with life-threatening diseases and places them in loving homes around the world. LiveJournal will donate 100% of the proceeds from the sale of charitable vgifts (we'll cover the cost of credit card transaction fees). To learn more about Love Without Boundaries, please visit lj_cares and read about how they helped save Baby Kang and the Rainbow Twins from fatal illnesses, who are now thriving in nurturing families. You can purchase your Love Without Boundaries gifts in the Virtual Gift shop.
Papered in postcards
A couple of weeks ago, we asked you to send in postcards to surround us with LiveJournal community. Thanks for coming through! We've received postcards all the way from Germany, Finland, and Canada and from all over the US, including Texas, Florida, Alaska, Montana, Wyoming, Indiana, Hawaii, and Oklahoma just to name just a handful. We're thrilled with our improved decor.
Please keep the love coming for one more week by writing to Frank the Goat, Esq., c/o LiveJournal, Inc., 539 Bryant Street, Suite 210, San Francisco, CA 94107. Be sure to include your username, since we'll be drawing the names of ten random contributors next Thursday to win paid account credits!
Photos of the week
We have more dazzling images posted by talented LiveJournal photographers from around the world. We're hoping to span the entire globe, so please continue posting and tagging. Of course, you can also sit back and enjoy the view at lj_photophile.
You can see a sample of this week's gorgeous photos and check out spotlight communities and awesome user content after the jump!
( Read more... )
Curtains
We thank you, once again, for joining us. See you next week! |
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| (no subject) |
[Nov. 12th, 2009|01:43 pm] |
yesterday i got offered a free trip to london through work as a 'well done' for achieving a call quality goal.
train tickets paid, 2 nights in the jumeirah carlton tower, a surprise activity, slap up meal and then a free day on sunday.
i turned it down as my friend sarah was due to be visiting brighton for the weekend. so i text her to check the plans. turns out she never booked and hotel!! grrrrrrrrr!
i am bad at being angry at people even when they deserve it. i irrationally think that if i show my anger, even if it's deserved, they will hate me and i will feel bad about it. this is why i am a doormat. i don't want to upset anyone so i'll let people get away with all sorts of rubbish (it's usually unintentional stuff - nothing really vindictive)
oh well michael mcintyre on sunday. maybe i'll go and check out that new vintage warehouse in town on sat. |
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| Radio! Books! Violin Lessons! Also, a haircut I do not mention anywhere in this blog! |
[Nov. 12th, 2009|06:00 am] |
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http://journal.neilgaiman.com/2009/11/radio-books-violin-lessons-also-haircut.html posted by Neil
Went in to KNOW radio station in ST Paul today and recorded an introduction to the NPR MORNING EDITION "Open Mike" piece I've been recording on audiobooks, and heard the edit. Asked them to see if they could find a bit more time in the piece for Audible founder Don Katz, who did an amazing interview and was pared down to about a sentence in the current edit. It'll go out in the next ten days, and as soon as I know when it goes out I'll put it up here. I talk to David Sedaris, Martin Jarvis, Don Katz and veteran audio producer/director Rick Harris in it.
Also popped in to DreamHaven and signed a bunch of books. The piles of books have grown so high, and the administration was proving so hard for Greg now that he is a one-man operation that I'm no longer personalising books there. But lots of signed books now in for the Holidays at DreamHaven's Neilgaiman.net site.
Spent much of the rest of the day driving around, being a dad, taking a daughter and her friend to violin, all that normal sort of stuff, and listening to Martin Jarvis's Good Omens audiobook as I did so. I'm about half-way through it now. It makes me so happy, especially hearing Adam Young read in something sort of close to Martin's Just William voice. Weirdly, I found it easier to hear what I wrote and what Terry wrote than I could if I looked at the text (which I discovered a few years ago, when I proofread the Harper Collins edition). The text is a bit of a blur, after all these years, but listening I'd find myself going, "Me... Terry.... Me in first draft, Terry in second.... Terry in first draft, me in second.... My footnote to his bit.... His footnote to mine..." feeling vaguely like an archaeologist. Even spotted a couple of tiny continuity goofs we should have caught 21 years ago that I may call Terry about and correct in future editions.
(She has an East Coast Tour on right now -
11.12 Portland, ME
11.13 Northampton, MA
11.14 Brooklyn, NY (SOLD OUT)
11.18 Philadelphia, PA
11.19 Falls Church, VA
11.20 Carrboro, NC
11.22 Knoxville, TN.
Go see her in concert. She's a wonder live. Tell her I said hi.)
Hi Neil,
I just read about your event in January, where in you will be narrating Peter and the Wolf. My husband and I are over joyed by this. We will hopefully be bringing our three girls up to see the performance. We did have one question though. Will you be reading the original version where the wolf actually is killed, and not the "oh my goodness our kids can't hear about death" version in which they bring him to the zoo? We are both, obviously, really hopeful that being you, and not afraid to scare children (thank you for that btw) will be speaking the true to the story version in which Peter shoots the wolf and then his dead body is paraded through the town as a trophy.
Thanks for your time,
~Cecily
PS- Do you know if there will be tickets for the event or the reception afterwards? It will be a long drive, and it would be nice to be prepared for either staking out seats all day or having tickets in hand. (We could not find any reservation information on the website)
I'd forgotten - or never knew - that there was an alternative version. The script I was sent is the Zoo version. I'll investigate...
And no, I do not know about tickets. I will find out.
Dear Neil,
Your Web Goblin offered to post photos of Coraline pumpkins, and when they were told this, my 8 and 11-year old daughters decided to make some. Here they are, along with 2 emoticon pumpkins and a turnip.
http://www.steampunkfamily.com/wp-content/uploads/2009/10/IMG_01521-300x225.jpg
I used them to illustrate a ghost story: http://www.steampunkfamily.com/2009/10/philomenas-fright/
Three of the four of us were Coraline characters for Halloween. (The 11-year old went her own way as Susan Sto-Helit.)
http://www.flickr.com/photos/37435081@N03/4077708519/sizes/l/in/set-72157622616148613/
The Other Mother is the scariest thing I've ever been for Halloween. All the children (even the 4-year olds!) knew who I was, and I elicited much nervous laughter when I offered to sew buttons in their eyes.
Thank you for being VERY SCARY INDEED
I love how many families were Coraline families, this year.
If, like me, anybody else was intrigued by your mention of Kenneth Grahame's other works and wants to read them with a minimum of searching, they'll be happy to know both 'The Golden Age' and 'Dream Days' are available for free on the always invaluable Project Gutenberg:
http://www.gutenberg.org/etext/291
http://www.gutenberg.org/etext/270
Thanks for mentioning them in the first place; I'm always interested in children's lit of that time that has managed to slip through my net.
- B. Bolander
What a good idea. Two very beautiful, gently funny books by the author of The Wind in the Willows. I really enjoyed them, but stylistically they are, well, out of fashion, and will not be everybody's cup of Edwardian tea. Here's a passage that describes the illustration I put up yesterday, as small children steal through the house on a midnight expedition to obtain biscuits (ie cookies, if you are American):
The Blue Room had in prehistoric times been added to by taking in a superfluous passage, and so not only had the advantage of two doors, but enabled us to get to the head of the stairs without passing the chamber wherein our dragon-aunt lay couched. It was rarely occupied, except when a casual uncle came down for the night. We entered in noiseless file, the room being plunged in darkness, except for a bright strip of moonlight on the floor, across which we must pass for our exit. On this our leading lady chose to pause, seizing the opportunity to study the hang of her new dressing-gown. Greatly satisfied thereat, she proceeded, after the feminine fashion, to peacock and to pose, pacing a minuet down the moonlit patch with an imaginary partner. This was too much for Edward's histrionic instincts, and after a moment's pause he drew his single-stick, and with flourishes meet for the occasion, strode onto the stage. A struggle ensued on approved lines, at the end of which Selina was stabbed slowly and with unction, and her corpse borne from the chamber by the ruthless cavalier. The rest of us rushed after in a clump, with capers and gesticulations of delight; the special charm of the performance lying in the necessity for its being carried out with the dumbest of dumb shows.
Once out on the dark landing, the noise of the storm without told us that we had exaggerated the necessity for silence; so, grasping the tails of each other's nightgowns even as Alpine climbers rope themselves together in perilous places, we fared stoutly down the staircase-moraine, and across the grim glacier of the hall, to where a faint glimmer from the half-open door of the drawing-room beckoned to us like friendly hostel-lights. Entering, we found that our thriftless seniors had left the sound red heart of a fire, easily coaxed into a cheerful blaze; and biscuits—a plateful—smiled at us in an encouraging sort of way, together with the halves of a lemon, already once squeezed but still suckable. The biscuits were righteously shared, the lemon segments passed from mouth to mouth; and as we squatted round the fire, its genial warmth consoling our unclad limbs, we realised that so many nocturnal perils had not been braved in vain.
"It's a funny thing," said Edward, as we chatted, "how I hate this room in the daytime. It always means having your face washed, and your hair brushed, and talking silly company talk. But to-night it's really quite jolly. Looks different, somehow."
"I never can make out," I said, "what people come here to tea for. They can have their own tea at home if they like,—they're not poor people,—with jam and things, and drink out of their saucer, and suck their fingers and enjoy themselves; but they come here from a long way off, and sit up straight with their feet off the bars of their chairs, and have one cup, and talk the same sort of stuff every time."
Selina sniffed disdainfully. "You don't know anything about it," she said. "In society you have to call on each other. It's the proper thing to do."
"Pooh! YOU'RE not in society," said Edward, politely; "and, what's more, you never will be."
"Yes, I shall, some day," retorted Selina; "but I shan't ask you to come and see me, so there!"
"Wouldn't come if you did," growled Edward.
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| Daily OCD: 11/11/09 |
[Nov. 12th, 2009|01:54 am] |
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http://www.fantagraphics.com/index.php?option=com_myblog&show=Daily-OCD-11-11-09.html&Itemid=113 Today's Online Commentary & Diversions: • Review: "Monte Schulz has proven that his father isn’t the only Schulz with considerable storytelling talent. This Side of Jordan is a strong vision of the American Heartland at a time when America was a little less jaded, yet many in the country had already developed a malaise of directionlessness. Schulz manages to capture a moment in history, a piece of humanity in transition. It’s bleak, but funny, and smartly written. It may not have any pictures, but readers of good fiction should appreciate what Schulz has accomplished." – Michael C. Lorah, Newsarama • Review: "Hans Rickheit’s The Squirrel Machine, published by Fantagraphics Books, is a beautiful 179 page hard cover graphic novel. ... Much is left to mystery in this book. We can let Rickheit’s exquisite drawings, with their ornate detail and patterning, speak for themselves. ... This is for mature readers as well as discriminating ones. And it’s also for those who love a good coming-of-age story. ... Very romantic and strange at the same time, like any good coming-of-age tale. Primarily, this is adult, dark and disturbing work provided to you in healthy doses." – Henry Chamberlain, Newsarama • Review: "Johnny Ryan draws the bad pictures. Unapologetically and lots of ‘em and I hope to god he never stops. He has consistently put out pure and uncensored strips, cartoons, and books that defy every politically correct bone in your body. Drawings that cock-slap America. His new book is out. It’s called Prison Pit and it kinda’ sorta’ kicks serious ass. ... The story definitely puts the GORE in phantasmagorical as characters twist and mutated into strange new forms while pounding the stuffing out of each other. ... Put plain, in Prison Pit, Ryan creates art out of the steaming piles of human waste that litter our cultural landscape. The bodies and excrement are grist for his mill. He erects mountains of shit and semen, carving the faces of sacred cows in them, and then sets them afire so even if you can’t see the work… you can smell it from miles away." – Jared Gniewek, Graphic NYC • Review: "[Pim & Francie] isn't a collection of [Al Columbia's] work up till now..., but more a collection of what 'might have been' — it's uncompleted stories and art featuring Columbia's two naif-child characters, forever hurtling into one dangerous situation after another but never reaching any conclusion. It's probably worth noting that a good deal of the pages are torn or pasted back together, the victims, no doubt, of Columbia's perfectionism. It's the sort of thing that will frustrate some, but it does offer an elliptical, sideways path into Columbia's world, which perhaps makes the journey all that more frightening." – Chris Mautner, "Pick of the Week," Robot 6 • Review: "...[T]he new Al Columbia Pim & Francie book from @fantagraphics... is like a printed orgasm." – Damon Gentry • Plug: "Strange Suspense: The Steve Ditko Archives Vol. 1... [is g]ruesome stuff for the most part, but you can see the artist trying to forge his way through. Definitely a must for anyone who calls themselves a Ditko fan." – Chris Mautner, Robot 6 • Interview: Tim O'Shea talks to Monte Schulz about the latter's novel This Side of Jordan: "Taken all together, no single element was the most critical because I believe everything had to work together, all forms of language, for instance: poetic, lyrical, narrative, dialogue. The way the characters speak in This Side of Jordan was especially important, given that I mix ordinary dialogue with lyrical exposition and both rural and Jazz Age slang." • History: At Bleeding Cool, Rich Johnston offers up the groundbreaking "Gays in Comics" article by Andy Mangels from Amazing Heroes #143 (June 15, 1988) as a 2-part PDF download, with commentary • Film: Lilli Carré's animated short Head Garden plays at the San Francisco International Animation Festival this weekend; more info at Lilli's blog • Theory in action: At Blog Flume, Ken Parille applies an Ivan Brunetti cartooning principle to a 1970s issue of The Avengers • Things to see: Noah Van Sciver makes his debut on Top Shelf 2.0 Webcomics |
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| Network Maintenance: Saturday, November 14, 2009 at 04:00-06:00 UTC/GMT |
[Nov. 11th, 2009|02:00 pm] |
On Saturday the 14th at 4AM UTC/GMT we will be upgrading the operating system of our network load balancers to a newer version, one that will allow us to use both CPUs! Nifty, because multiprocessing is nice.
Since we have 2 load balancers, the plan is to upgrade 1 at a time, and there really should be very little impact to our website. Hopefully you won't notice a thing and I'll get to go back to the hotel and watch some wonderful late night infomercials.
We've got a lot of exciting projects coming up for 2010 and we're hoping that we'll be able to deliver them all to you, that you will find it useful/cool/lovely and then you will use the site even more. Behind-the-scenes work like this will give us the capacity to handle the anticipated traffic, so expect a few more maintenance windows especially in the beginning of next year as we've got some neat ideas to improve performance around here! We had the recent 30-45 minute outage yesterday due to one of our logging databases filling up disk space -- not so great design coupled with my human error in handling the initial problem -- and it looks like we're going to finally have some resources to eliminate stuff like that. I can't wait!
As usual, I will be updating status.livejournal.org before and after, just in case you are not able to reach our main website during the work. |
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| Now in stock: The Comics Journal #300 |
[Nov. 11th, 2009|08:38 pm] |
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http://www.fantagraphics.com/index.php?option=com_myblog&show=Now-in-stock-The-Comics-Journal-300.html&Itemid=113 Just arrived in our warehouse (already!) and ready to ship: 
The Comics Journal #300
Edited by Mike Dean & Kristy Valenti; Gary Groth, Executive Editor A spectacular anniversary issue featuring intergenerational dialogues between the cream of the cartooning biz: Alt wiz Kevin Huizenga and reigning Maus king Art Spiegelman; indy comics publisher/cartoonist/musician Zak Sally and Love and Rockets co-creator Jaime Hernandez; Bottomless Belly Button auteur Dash Shaw and Asterios Polyp elder auteur David Mazzucchelli; inflammatory muckraker Ted Rall and editorial cartoonist Matt Bors; super-popular Zits! cartoonist Jim Borgman and newly syndicated Keith “Knight Life” Knight; Martin Luther King chronicler Ho Che Anderson and American Flagg! creator Howard Chaykin; cartoonist/Kramer's Ergot helmer Sammy Harkham and Eurocomics great/L'Association co-founder Jean-Christophe Menu; superhero neo-mythologizer Frank Quitely and Watchmen artist Dave Gibbons; award-winning Fun Home cartoonist Alison Bechdel and Slow Storm wunderkind Danica Novgorodoff; mainstream writing powerhouses Denny O'Neil and Matt Fraction; and Usagi Yojimbo creator Stan Sakai and cartoonist/educator Chris Schweizer. Plus reviews of Acme Novelty Library #19 and Asterios Polyp, the usual columns and features, and Noah Van Sciver penetrates the Fantagraphics ivory tower for a hilarious cartoon interview with TCJ honcho Gary Groth. 288-page color/b&w 7.5" x 9.5" squarebound softcover magazine • $14.99
ISBN: 978-1-60699-187-9
Add to Cart • More Info & Previews |
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| The Murder Re-Enacted |
[Nov. 11th, 2009|02:21 pm] |
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http://journal.neilgaiman.com/2009/11/murder-re-enacted.html posted by Neil
The Graveyard Book just won a literary award, which never gets old, and this one came with a medal, and also with a cheque. I thought, Hm. I have to get myself something with the cheque and I have to do it immediately, otherwise it will simply vanish into the day to day bank account of life, and I will never look at anything and go "Ah, that is the thing I got with my Graveyard Book Award."
So I bought this. It's "The Murder Re-Enacted": It's an E. H. Shepard illustration (he's most famous for illustrating Winnie the Pooh) from Kenneth Grahame's book The Golden Age. Kenneth Grahame wrote The Wind In The Willows, the story of Mole and Rat and Badger and of course, Mr Toad, also illustrated by Shepard.
I once read an essay by A.A. Milne telling people that, of course they knew Kenneth Grahame's work, he wrote The Golden Age and Dream Days, everybody had read them, but he also did this amazing book called The Wind in the Willows that nobody had ever heard of. And then Milne wrote a play called Toad of Toad Hall, which was a big hit and made The Wind in The Willows famous and read, and, eventually, one of the good classics (being a book that people continue to read and remember with pleasure), while The Golden Age and Dream Days, Grahame's beautiful, gentle tales of Victorian childhood, are long forgotten.
If there is a moral, or a lesson to be learned from all this, I do not know what it is.
Right. Off to K.N.O.W. St Paul to record the intro bits to my NPR piece on Audio Books, and I will play the Martin Jarvis-read GOOD OMENS on the car CD player all the way there.
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| Daily OCD: 11/10/09 |
[Nov. 11th, 2009|01:40 am] |
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http://www.fantagraphics.com/index.php?option=com_myblog&show=Daily-OCD-11-10-09.html&Itemid=113 Online Commentary & Diversions: • Review: "The different techniques — ink on paper, watercolor, pencil, black or color, collage, digital manipulation, minimalist drawing, patchwork, cartoony lines... — associated to the different strategies and presences of 'comics' elements in these variations will make us wonder, on the one hand, on a progressive dilution of any formal determination in relation to this art (bringing it closer, thus, to freer or more conceptual artistic disciplines, in which the gesture is more important than, say, talent, virtuosity, technical prowess), and, on the other hand, in the phantasmatical emergence of an unifying idea (a name: 'abstract comics'), but which is, in the last instance, irreducible to something directly analyzable." – Pedro Vieira de Moura, SuccoAcido • Review: "I wish to add my voice to the chorus of those who really, really like Johnny Ryan's left-hand turn into violent fantasy with the promise of more to come, Prison Pit. ... Prison Pit should help anyone paying attention to appreciate how carefully Ryan designs and executes his work. You could not achieve the gruesome effects and consistent energy Ryan does here without being absolutely on top of that style... Ryan's general intelligence — I think he's one of the smartest cartoonists — is also on display in how quickly he picks up the rhythms of the kind of sprawling manga and art-comics fantasies that this book frequently recalls. ... Crucially, I never knew exactly where Ryan was headed but every scene in Prison Pit seemed to flow naturally from the previous one right up to the brutally funny, icky and appropriate ending. I hope there are ten more." – Tom Spurgeon, The Comics Reporter • Review: "Unlike anything Ryan's done thematically, or really, unlike anything Fantagraphics has published before, Prison Pit is a non-stop action comic. It's pretty successful in that regard, with imaginative character designs and some surprising battles, full of many odd transformations and characters surviving the loss of limbs, even a head. And although the genre is different, Ryan can't seem to deviate from a fascinating mix of sex and violence and bodily fluids." – Christopher Allen, Comic Book Galaxy • Plug: "[Pim & Francie] is an arrangement of drawings — sometimes preparations for drawings — generally honed in on the journey of two old-timey animation-looking kids. Sometimes there's dialogue, sometimes there's 'scenes,' but most of the work's interest comes from wrenching you though time and space as the narrative stretches just thin enough to part in spots, only to gum together again for a little while, until it's pulled again." – Joe McCulloch, Jog - The Blog • Plug: "Hal Foster's Prince Valiant is probably my all time favorite comic strip, and this new collection consolidating the strips from 1937-1938 is very well produced." – San Antonio Board Gamers • Reviewer: TCJ Assistant Editor Kristy Valenti puts on her freelancer cap once again and reviews Samuel R. Delaney & Mia Wolff's Bread & Wine for comiXology • Events: The Daily Cross Hatch's Brian Heater reports from last weekend's King Con in Brooklyn, with audio from the Bob Fingerman Spotlight panel • Things to see: Several vintage Jim Flora illustrations (including possibly some previously unpublished ones) ran in last Sunday's UK Telegraph Sunday jazz supplement — the Jim Flora Art blog has a link to a PDF |
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